Compare revisions: 1971_Sackson_167_May 27.jpg
first draft
|
draft
|
||
---|---|---|---|
This revision marked as completed. This revision marked as approved. |
|||
Line 6: | Line 6: | ||
---- | ---- | ||
To G. & R. Secretary gave me a copy of <u>CAVEAT EMPTOR</u>, no questions. | |||
Looked at <u>SHRINK</u> again. There are sets of cards showing | |||
different objects; such as different trains, different houses, | |||
etc. Each player chooses one of each set that is most | |||
like him, one he'd most like to be like, and one he'd least like | |||
to be like. There is written material explaining each choice. | |||
Looked at <u>Gini Scott</u>'s <u>TRIAL</u>. A trial situation is set up | |||
by turning over cards representing crimes, places, times, | |||
etc. The trial is argued and the object is to convince the | |||
other players of guilt or innocence. (Very rough idea.) | |||
Looking at <u>''HAAR HOOLIM PERCEPTION GAMES''</u> reminded me that I | |||
spoke to the head of ALPSCO at Stationery Show. He told me that | |||
the game was doing great when the recession caused cancellation of | |||
a lot of orders. | |||
Met <u>Arthur</u> & <u>Wald</u>. Spoke to them a while and then to <u>Felicia</u>'s. | |||
They showed her <u>AFRICAN CHESS</u>. (Played the same as <u>GHANA</u>, | |||
except that the "Touchstone" captures any opponent pieces in any | |||
space into which it is sowed, not only the last of the sowing | |||
operation.) She didn't care too much for it, but she called | |||
Herb Roth in for his opinion. He said "Forget it, it would | |||
take a fortune to publicize it." | |||
Then they showed Felicia <u>POWUR</u>. She said she'd handle it, | |||
without seeing any of how it was actually played. They | |||
have only one set of rules and want to make a repro before | |||
leaving it with her (she's in no hurry). I asked them to | |||
get me a copy when they are about it. They will. | |||
After the <u>Amberstone</u>s left Felicia showed me the material <u>Con- | |||
nor Barrett</u> sent her. In the same box were <u>TRICKY TRAMPOLIN</u> | |||
(or at least parts of it) and a series of games for different | |||
ages with an over all name of <u>JIG</u>. The most adult was [crossed out] | |||
<u>SCHIZZO JIG</u>. It consists of a series of pictures which | |||
are cut in 6 rectangular pieces each. These are shuffled | |||
and dealt out to the players. Players by trading try to | |||
complete 1, 2, or 3 pictures. If a player quits after completing | |||
1 picture he scores 10 points, returns his remaining pcs. and | |||
is out of that hand; 2 pictures he gets 40 points and does | |||
the same; 3 pictures he gets 100 points (or something | |||
like that) and the hand is ended. (Fairly complete idea.) [crossed out] | |||
The pictures are set up so that while unassembled there is | |||
some doubt as to which go together. Once they are assembled, | |||
however, there is no question. | |||
I said the <u>JIG</u> had similarities to <u>PIT</u> and Felicia said | |||
she knew it was like something. | |||
Gave Felicia the names of people in the foreign operation at 3M, | |||
as given to me by <u>Bill Caruson</u>. Also gave her a "carbon" of | |||
my letter to <u>Bob Edwards</u> concerning <u>OPEN BRIDGE</u>. | |||
<u>Irv Brambier</u> called <u>Alfons Rubbens</u> in Canada. Rubbens said that | |||
everything <u>Felicia</u> gave him was junk; that <u>FREE FORM</u> was | |||
like lots of other things. He'll bring them all back next | |||
(cont. on 5/29) |