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(cont. from 6/4) [6/4]  | |||
work on it for a split of the royalties. Yes. He'll send me a copy.  | |||
He said he saw <u>SLEUTH</u> and asked if it was [crossed out] developed  | |||
from <u>CASE OF THE ELUSIVE ASSASSIN</u>. Yes.  | |||
<u>PLOY</u> is selling well. It was featured in an issue of <u>''PENTHOUSE''</u>  | |||
Magazine together with some of <u>Frank Armbruster</u>'s things.  | |||
He asked me how Hallmark was doing and I told him that I had   | |||
11 contracts with them and that I hope they will finally get moving  | |||
next year.   | |||
His <u>TOTEM</u> is at Lakeside for consideration. I mentioned Frank  | |||
Armbruster's wanting to do it. He knows but is not sure whether  | |||
Armbruster is really in financial condition to come out with new  | |||
things. The inventors of <u>BALI BUTTONS</u> and <u>MADAGASCAR MADNESS</u>  | |||
have not been receiving royalties, or even reports.  | |||
I told Frank I'd try to get a copy of <u>EXECUTIVE DECISION</u> to send  | |||
him. But he said he thought he could get one from <u>Bill Caruson</u>.  | |||
Frank is on Schaper's mailing list for requested submissions. He  | |||
has several things under consideration at present. Next year Schaper  | |||
will move into sports games and games for older children. They  | |||
will stay with plastic.  | |||
Stancraft looked at his <u>CONTIGO</u> and <u>Mary Hilt</u> told him that the  | |||
molding costs would be too high for the limited number of copies  | |||
they expect to sell.  | |||
He mentioned the article on <u>POWER</u> in <u>''PACE''</u> Magazine and that he   | |||
would like to read it. Told him I'll get a copy to send to him.   | |||
I asked about <u>Jerry D'Arcey</u>. Lakeside rejected <u>COMMODITY</u>. He  | |||
made some money in manufacturing. "Clik-Claks" but it is dead now.  | |||
Frank doesn't know what he is working on now.  | |||