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24TH DAY - 342 DAYS TO COME | 24TH DAY - 342 DAYS TO COME | ||
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<u>Felicia</u> called. She still hasn't rcd. the check for <u>FITTING & PROPER</u | <u>Felicia</u> called. She still hasn't rcd. [received] the check for <u>FITTING & PROPER</u> | ||
and decided to call <u>Jim Goldsberry</u> today. <br> | and decided to call <u>Jim Goldsberry</u> today. <br> | ||
She still hasn't rcd. the contract for <u>JET HOLIDAY</u>. But she did | She still hasn't rcd. the contract for <u>JET HOLIDAY</u>. But she did | ||
receive a letter acknowledging that he has <u>HIGH FINANCE</u | receive a letter acknowledging that he has <u>HIGH FINANCE</u> | ||
and <u>GIRL TALK</u>. | and <u>GIRL TALK</u>. | ||
Finished the equipment for <u>FOREIGN INTRIGUE</u>. Then started to | Finished the equipment for <u>FOREIGN INTRIGUE</u>. Then started to | ||
work on the rules. | work on the rules. | ||
<u>Felicia</u> called again. She spoke to <u>Goldsberry</u> and he will | <u>Felicia</u> called again. She spoke to <u>Goldsberry</u> and he will | ||
look into the matter of the check at once. | look into the matter of the check at once. | ||
He sounded cheerful and said things were going well. <br> | He sounded cheerful and said things were going well. <br> | ||
I called <u>Bob Gellman</u>. <u>Martine Gilcrest</u> can'y make it tomorrow, | I called <u>Bob Gellman</u>. <u>Martine Gilcrest</u> can'y make it tomorrow, | ||
so we'll get together Wednesday at her house, at 10 A.M. | so we'll get together Wednesday at her house, at 10 A.M. | ||
We'll go over the slides. I'll bring the new layout of <br> | We'll go over the slides. I'll bring the new layout of | ||
cities and routes and we'll go to the artist after Martine's. <br> | |||
He said that he just sent out a contract for <u>JET HOLIDAY</u>. He | |||
asked if it was O.K. to send one check to Felicia to be distributed, | |||
rather than sending three separate ones. | |||
In evening working on packaging of <u>FOREIGN INTRIGUE</u>. | |||
<u>Claude</u> called. He doubts if he will have his "Knowledge" <u>GAME</u> | |||
ready to send to 3M in time. <br> | |||
He has seen some newspaper clippings; one he clipped and the other | |||
he may still have around - this one is on <u>THE GODFATHER GAME</u>. <br> | |||
Told him that he can keep ''<u>A CENTURY OF GREAT FIGHTS</u>'', since I | |||
have another. | |||
<u>Felicia</u> called in the evening to invite BB and me for supper next | |||
Saturday. <br> | |||
I told her that I will be getting together with <u>Bob Gellman</u> Wednesday. | |||
She is busy all day Wednesday, so I said that I would | |||
send <u>FOREIGN INTRIGUE</u> to Keith Tuggle myself. <br> | |||
She said that <u>Lillian Voegalin</u>'s "Mystery" <u>GAME</u> has already been | |||
sent in. Lillian, she said, was not completely satisfied with it. | |||
<u>Andy Luftig</u> has not brought in his "Mystery" <u>GAME</u>. She will | |||
not call him to ask for it. | |||
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(cont. from 1/25) [2/24] | |||
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In this connection Jerry and Frank had been discussing having | |||
a form that companies must sign before we'd show them anything. | |||
I said, and Frank agreed, that unless we can get companies | |||
and the public to put some value on an inventor's name, the | |||
companies would never go for this. <br> | |||
They were also thinking of having a form where we would | |||
attest to each other's ideas, but I said that a registered <br> | |||
(cont. on 1/23) | |||