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I mentioned Parker and he said that they wanted <u>FRENETICS</u> <br> | I mentioned Parker and he said that they wanted <u>FRENETICS</u> <br> | ||
but not <u>BRIDGEVERYONE</u> and <u>AQUARIUS 2000</u>, and he has to <br> | but not <u>BRIDGEVERYONE</u> and <u>AQUARIUS 2000</u>, and he has to <br> | ||
place them as a unit. Parker offered him a job as Manager <br> | |||
of their potential Adult line. But Carl doesn't feel <br> | |||
that they know much about what they want to do. <br> | |||
He also has an appointment to speak tp Stancraft about <br> | |||
a job there. I told them about their miserable performance. <br> | |||
He said they didn't have anything worthwhile. I said <br> | |||
that <u>TRANSFORMATION</u> was mine and was a good game. He said <br> | |||
they had messed up the production of it, and I had to agree. <br> | |||
He'll keep in touch and let me know where he lands. <br> | |||
Dad finished the translation of <u>AKTENZEICHEN XY UNGELOST</u>, writing <br> | |||
it. Then we translated <u>DAS MILLIONSPIEL</u> together. Since it was <br> | |||
quite simple I didn't write it down. | |||
In the call from <u>Carl Eisenberg</u> he said that he had a great <u>GAME</u> idea, if he can get "legal permission". He would like <br> | |||
Phil Orbanes & me to work it into a game as soon as he gets settled. <br> | |||
He'll contact us in a few weeks. |